Her Knight at the Museum by Bryn Donovan ~ a Review & Excerpt

by MK French

Sir Griffin de Beauford was cursed and trapped in stone while still able to see, hear, and think. Divorcee Emily Porter is a conservator at the Art Institute of Chicago, working to restore a statue of a medieval English knight. A kiss breaks the curse, releasing Sir Griffin in the middle of her workshop. He seems to be perfect, but is having a hard time adjusting to the modern world. Emily is also the prime suspect in the investigation of the missing sculpture. Can they find their way to a fairytale ending?

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November 2024; Berkley; 978-0593816592
audio, ebook, print (352 pages); paranormal romance

The statue can almost communicate with Emily before she even begins to take steps to repair the statue, including a really hot dream where the two go through their history. Once the spell on Griffin is reversed, he's alive in Chicago and has culture clash. In the meantime, there's no statue in the museum, so it's assumed stolen just as a stranger in armor was running around the place. I really enjoyed seeing the details about medieval life and the difference in culture between time periods. It inevitably leads to confusion and misunderstanding on both sides, as well as with authorities. The romance between them is sweet, and there's genuine interest on both sides not only due to attraction but appreciation for who they are. Emily's friend Rose is fun as well, and really helps them out in many ways. This is a fun book to read, with a great happily ever after. 

Buy Her Knight at the Museum at Amazon

Read an Excerpt 

HER KNIGHT AT THE MUSEUM by Bryn Donovan

Berkley Romance Trade Original | November 12, 2024

Excerpt

Emily unwound the cloth from the head of the stone sculpture and found herself face-to-face with the knight.

A spark of awareness, as though she'd met the intimate gaze of a stranger, made her catch her breath. There was something about his unguarded expression-the half-parted lips, the searching look in his eyes-that was more human than any statue she'd ever seen before.

"Hello, handsome," she murmured. "Welcome to Chicago."

Tingles between her legs surprised her. How long had it been since she'd felt that? Not since she'd found out Tom, her now ex-husband, had been cheating on her. No, even longer than that, if she was honest.

As a museum conservator, she didn't usually have that kind of reaction to old objects. It would've been really distracting as she worked to restore them to their former glory. But the face of this statue, even with some white streaks of sulfation, was already pretty glorious. His hair flowed loose to his shoulders; typical for a nobleman in the early 1400s. The mustache and short beard wouldn't have been strictly fashionable at court in his time, but they suited him.

She'd already removed the layers of protective wrapping, and she'd told her coworkers in Objects Conservation that she'd let them know as soon as she revealed the actual sculpture. He was their newest acquisition, and even for a huge museum like the Art Institute, he was an exciting one. She had a strange urge to close the door to the photography room and keep him to herself for a while.

But of course, she wasn't going to renege on her promise. She had a six-month contract at the museum, but when Jason had hired her, he'd told her it could turn into a permanent position, which she desperately wanted. It wasn't as though there were tons of opportunities for art conservators.

She stepped off the stool and took a moment to use the hem of her shirt to clean a smudge off her glasses. With a project like him, she wanted her vision to be crystal clear. Then she went to the door. In the main office area, Terrence Russell, a tall Black man with glasses who'd worked there for fifteen years, sat hunched over his computer, the coffee she'd brought him in hand.

Because of Terrence's seniority, Emily had interviewed with him, too, and she'd liked him immediately. He was married to a law professor at the University of Chicago, and he had a small studio in Hyde Park where he made sculptures out of wire.

Emily had jumped at the chance to do the morning caffeine run; little things like that were important when you were trying to fit in. Laurie MacGriogair wasn't at her desk, and Emily tried not to be relieved by that fact.

"Terrence, do you want to come see the knight sculpture?"

"Absolutely," he said, getting to his feet.

"Um, I want to, too," Laurie said. Emily looked over to where the fortysomething redhead stood at the supply closet. She sounded annoyed that she hadn't been invited.

"Sorry, didn't see you there."

Terrence and Laurie made their way to the black, windowless room where conservators took the first official photographs of a new acquisition. Emily got on the stool again to pull back more of the unbleached cotton wrappings, revealing the top half of the breastplate of the armor.

"He's so big!" she exclaimed to her coworkers. What would the knight think of her saying that-if he'd actually been a knight? He'd love it. She was sure of it.

Laurie shrugged. "It's nothing compared to the Buddha I worked on last year."

"He's big for late medieval England," Emily clarified, although Laurie probably knew that was what she meant.

Jason Yun, their boss, wandered in. He was wearing one of his frequent tailored suits, and his hair, more black than silver, was tousled as usual. He didn't say hello or good morning, which made Emily nervous, but as he scrutinized the sculpture, she thought she saw pleasure in his keen dark eyes.

"It's good to finally see it again," he said.

Jason was the Curator of Applied Arts and Design, so ordinarily, he would've been Emily's boss's boss. But the Director of Conservation was on maternity leave, so for the time being, the conservators reported to Jason. Unlike most curators, Jason actually had conservation experience: he'd been a part-time assistant while getting his PhD.

Laurie squinted at the face of the sculpture. "I would've guessed he was a fake."

"He's definitely real," Emily blurted out.

Laurie opened her mouth to speak, but not before Jason said, "Emily spotted a fake at the Getty Villa."

Terrence turned to her. "Seriously? What was it?"

"An ivory statuette of the Virgin Mary," Emily said, feeling both proud and shy. She'd told Jason about this in her interview, and a former coworker she'd used as a reference had confirmed it. She suspected it was one of the reasons she'd gotten this job.

"How did you know it was a fake?" Terrence asked.

"Um, it had a flat background, so it originally would've been attached to some kind of plaque, but on the back, there weren't any signs of points of attachment."

But as she'd told Jason, she'd recognized it as a fake on sight, and she couldn't even say exactly why. She just hadn't gotten that feeling of history from it-an invisible but undeniable sense, like a vibration.

She definitely got some kind of vibration from this knight.

Jason circled the statue, looking at it from all angles, his hands clasped behind his back. "The documentation goes back to the 1460s, though we have no idea who the artist was."

Artist? Devil, more like!

Emily froze and whipped around to gaze at the sculpture's face. Her heartbeat kicked into a higher gear. She was half sure he'd said that.

But of course he hadn't. He was a big hunk of carved limestone. A remarkable big hunk of carved limestone, but still.

She gave an uneasy laugh and said, "He almost looks real." Laurie took a sip of coffee, then grimaced down at the cup.

"For the period, it's an unusually realistic style," Jason acknowledged.

"It's so iconic," Terrence said, amused. "Classic knight in shining armor."

Emily went back to unwrapping him, her fingers grazing his bare neck.

"Did you wash your hands?" Laurie asked.

"Of course. Just a minute ago." Many people thought that art conservators always wore gloves whenever they touched a valuable object. Often they did, both to protect a fragile work from the oils and dirt on their hands and, in some cases, to protect themselves from toxic materials like arsenic and lead. But for this piece, a thorough hand-washing was sufficient.

It was too bad that Laurie didn't trust her to do it. How had Emily gotten off on such a bad foot with this woman? It bothered her, and not just professionally. Her mother was always telling her, Not everybody is going to like you, and that's okay. But it wasn't. When someone didn't like Emily, she tended to obsess about it.

She'll come around, she thought with grim determination.

Pulling more of the cloths aside, she revealed the rest of his torso. She straightened again to study it.

"Even the armor is so detailed," she said, tracing the air just above his breastplate. "I would guess he's from 1420, 1430. The ornamentation reminds me of Edmund Mortimer's armor." It was going to be a perfect example for the presentation she was putting together for the museum's next symposium-a daylong event where scholars and experts in art history gave presentations. She was calling hers Dating Medieval Sculpture.

She turned to Jason. "Was this guy famous, too? Or from some rich family?"

He shrugged. "We don't know anything about the subject."

Laurie stepped up the stool to take a closer look at the sculpture's face-and Emily's possessiveness flared. She wanted to say, Get away from him. He's mine.

Laurie turned to look down at her. "Do you know how to treat sulfation?"

"Oh, yeah," Emily said. "I've dealt with it lots of times."

Okay, maybe not lots of times, but she'd worked on a limestone Syrian effigy and an adorable statuette of a chubby sleeping Cupid in creamy marble. The Getty Villa, a palatial estate on the Malibu coast, had been her dream job . . . and she'd left it so that Tom could pursue his dream.

For a long time, Emily had believed that she'd ruined her own life, and being only a temporary employee at this museum was unsettling. But if she could prove herself and get a permanent job here, close to her parents, she'd have fewer regrets. At the very least, she was grateful for the fresh start.

Laura said, "I'm just asking because you had to ask Terrence for help on that terra-cotta."

"I knew what to do." She didn't quite manage to keep the irritation out of her voice that time. "I just couldn't remember where the adhesive was."

Emily looked back at the sculpture as if silently asking him, Can you believe what I have to deal with? Maybe she was hoping he'd stick up for her, since neither Terrence nor Jason ever did.

Jason said, "Start with the photos, the condition assessment report, and the treatment proposal, and tell me how much you can get done in time for the show."

They were already in the middle of setting up an exhibition of late medieval weapons, armor, and war-related art from every continent-a process that took months. These would be among the last pieces to be installed.

"It's going to be great next to the armor," Terrence said.

The museum had purchased a suit of armor from the same region-Essex, England-and the same era. Laurie had unwrapped it a few days ago. It was almost completely intact, only missing one of the circular plates at the shoulder, which was why it had commanded such a jaw-dropping price.

Emily had dutifully oohed and aahed over the armor, but she'd secretly found it ominous. Some kind of symbol was etched on the side of the helmet, obscured with a layer of grit and grime, and the eye slits suggested a malevolent glare. It was the opposite of her new limestone friend: an anonymous sculptor's dream of a chivalrous knight, radiating nobility and humanity.

"I don't have time to do much to the armor," Laurie said. "I just finished the shotel." Emily had to admit to herself that Laurie had done a fantastic job on the slim sword from Ethiopia, with its elegant, cruel curve designed to reach around a shield and stab an enemy in the lungs or the heart. They'd opted to sharpen the blade for visual effect.

"Just get the helmet as cleaned up as you can while preserving the patina," Jason said. "They want to install it soon with a sword from the collection in its hand. If you don't have time for any work on it before the ball, that's fine."

The museum was holding its annual Masterpiece Ball gala, a black-tie event in the Modern Wing's Griffin Court that would raise millions of dollars. The entertainment would include a sneak peek tour of the new medieval exhibition, led by Jason himself, before the show was open to the public.

"Hey, Jason, any way you could get your favorite employees some tickets to that ball?" Terrence asked, teasing.

Jason smiled. "Sorry, guys. I'm lucky I'm getting to go."

He said he'd leave Emily to it. Terrence and Laurie followed him out the door, but at the threshold, Laurie turned back.

"Hey, Em, thanks for doing the coffee run. Next time don't get me French roast, though."

"Oh." Emily blinked. "You said black coffee."

"Right. But for French roast, they basically burn the coffee beans." She laughed. "No offense, but it's really bitter."

Emily joked, "You say that like it's a bad thing." Laurie didn't smile, because of course she didn't. Emily added, "I'll get you the breakfast blend."

"Yeah, instead of the Starbucks, try Café Libre. That's where Terrence and I both go when we do the coffee run."

"Great. I'll check it out." Where the hell was Café Libre?

After Laurie left, Emily allowed her frozen smile to melt. Every new job, she knew, had a way of making even the most competent person feel like a dumbass, but Laurie seemed to be on a mission to reinforce that feeling, reaching around Emily's defenses to jab her whenever she could.

Oh well. At least Emily had an exciting project ahead of her.

Excerpted from Her Knight at the Museum by Bryn Donovan Copyright © 2024 by Bryn Donovan. Excerpted by permission of Berkley. All rights reserved.

Born and raised in New York City, M.K. French started writing stories when very young, dreaming of different worlds and places to visit. She always had an interest in folklore, fairy tales, and the macabre, which has definitely influenced her work. She currently lives in the Midwest with her husband, three young children, and a golden retriever.

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