A collection of new and favorite poems, celebrating the dogs that have enriched the poet’s world
Beloved by her readers, special to the poet’s own heart, Mary Oliver’s dog poems offer a special window into her world. Dog Songs collects some of the most cherished poems together with new works, offering a portrait of Oliver’s relationship to the companions that have accompanied her daily walks, warmed her home, and inspired her work. To be illustrated with images of the dogs themselves, the subjects will come to colorful life here.
These are poems of love and laughter, heartbreak and grief. In these pages we visit with old friends, including Oliver’s well-loved Percy, and meet still others. Throughout, the many dogs of Oliver’s life emerge as fellow travelers, but also as guides, spirits capable of opening our eyes to the lessons of the moment and the joys of nature and connection.
Dog Songs is a testament to the power and depth of the human-animal exchange, from an observer of extraordinary vision.
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The first volume of New and Selected poetry in twelve years from the two-time Poet Laureate of the United States.
Aimless Love gives the reader an opportunity to assess the rich scope of Collins' gifts. Containing more than fifty new poems and a generous gathering from his collections of the past decade-Horoscopes for the Dead, Ballistics, The Trouble with Poetry, and Nine Horses-Aimless Love showcases the best of his poetic maneuvers: the everyday ends in the infinite, playfulness is paired with empathy, irony gives way to wonder. Possessed of a unique voice that is at once plain and melodic, Billy Collins has managed to enrich American poetry while greatly widening the circle of its audience.
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The debut poetry collection by the actor, director, and writer James Franco
And I’m here to cheat time.
You can see time and exhaustion
Taking pay from my face—
In fifty years
My sleep will be death,
I’ll go like the rest,
But I’ll have played
All the games and all the roles.
—from “Nocturnal”
“There’s never been a book quite like this. Hollywood—fame, celebrity, the promise of becoming an artist—is the beast at its center. Franco knows it like Melville knows whaling. Hollywood in this book devours its young. Obsessed with myths about its own past, it can be survived only by finding a vantage point that is not Hollywood. Bold yet subtle, fearless yet disarming, Franco has made a book you will never forget.” —Frank Bidart
“A star-studded cast moves like ghosts across the screen of James Franco's poetic consciousness, imbuing the writing with scenes of icons who are also humans replete with sorrow and presence in our own psyches. James Dean, Monica Vitti, Catherine Deneuve, Sal Mineo, Heath Ledger, pass and fade. The author has a wonderful self-reflexive insouciance about his own fame and roles inhabited, from Hart Crane to Allen Ginsberg to Harvey Milk's lover. Franco is a gifted contemporary Renaissance kind of guy, surveying the waterfront of illusion, suffering, and impermanance. We leave the movie theater a little wiser.” —Anne Waldman
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September Ends is contemporary fiction, blending romance, erotic and supernatural elements, bound together by poetry. It reveals the intricate web of passion and desire which entangles Liz Snow, Pete Hendrix and Jack O. Savage. The story is told through Liz Snow’s diary, Jack O. Savage’s poetry, and from letters sent across the Atlantic. Traveling throughout the lushness of a summertime in Tennessee and Georgia, September Ends journeys into the elegance of London’s West End and is finally settled in the countryside of Cornwall, England, a decade later.
September Ends is a story of sin, redemption and salvation through love because love happens when we least expect it.
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The anticipated second book by the poet Mary Szybist, author of Granted, a finalist for the National Book Critics Circle Award
* A Finalist for the 2013 National Book Award for Poetry *
The troubadours
knew how to burn themselves through,
how to make themselves shrines to their own longing.
The spectacular was never behind them.
-from “The Troubadours etc.”
In Incarnadine, Mary Szybist restlessly seeks out places where meaning might take on new color. One poem is presented as a diagrammed sentence. Another is an abecedarium made of lines of dialogue spoken by girls overheard while assembling a puzzle. Several poems arrive as a series of Annunciations, while others purport to give an update on Mary, who must finish the dishes before she will open herself to God. One poem appears on the page as spokes radiating from a wheel, or as a sunburst, or as the cycle around which all times and all tenses are alive in this moment. Szybist’s formal innovations are matched by her musical lines, by her poetry’s insistence on singing as a lure toward the unknowable. Inside these poems is a deep yearning—for love, motherhood, the will to see things as they are and to speak. Beautiful and inventive, Incarnadine is the new collection by one of America’s most ambitious poets
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The sixty poems in this book are windows into the mind/body/spirit experiences that come about through yoga practice. Each poem is named for a posture or breath exercise and is inspired by the physical properties of the pose or some aspect of breathing that led the poet to deeper understanding. Listening to these poems read aloud, or contemplating them on one’s own, will help yoga students understand their own struggles and inspire them on the way to personal transformation.
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